Capture them with the match EQs as the 'sources' you want to match. (4) Run the L&R channels of Helix + your guitar separately into the match EQs. Capture each as the reference using the match EQ. Set up a separate match EQ on these L&R components. (3) In your DAW, split the original stems into L&R components. It just shapes the frequency spectrum to match. You especially want to match gain characteristics (breakup, distortion etc.), because the match EQ won't do anything for that. The closer you get here, the better your final result will be. If it's a stereo tone you want, listen to only the L or R channel at a time, and dial them in separately, then pan the channels hard L&R after you get them sounding fairly close. (2) Build a signal chain in Helix that gets as close to that sound as possible. If they're full of artifacts and noise, the match EQ won't know that from the guitar tone, and the matched output won't sound right as a result. These should be as high quality as possible, and if you want to match a stereo sound, you need the stereo tracks of guitar. (1) Get original guitar stems of what you want to match, no other instruments. It sounds long and complicated, but once you've done it a couple times it's not difficult at all. it's not especially hard to do, but describing all of it in text will take a while to capture all the tips I could offer. I'm thinking about making a video tutorial if there's interest.
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